![]() Mary Mothersill and Richard Wollheim, completely ignored him. In Dewey alive (1958, 1975, 1982), particularly in his discussions ofĪesthetic experience, other major figures, including Arthur Danto, Important late 20 th century aestheticians, kept an interest The 1980s, in which, according to one editor of The Journal ofĪesthetics and Art Criticism, Dewey's aesthetics was virtually A situation followed, and continued well into Views singled out in a general critique of expression as a definingĬharacteristic of art, although often his own distinctive theory was ![]() Were particular targets of analytic attack. Dewey's theories of expression and creativity 1950) for instance, in aįounding document of analytic aesthetics, dismissed Art asĮxperience as a “hodgepodge of conflicting methods and Dewey's work was caught up in thisĬondemnation. However, in the 1950s there was an analytic revolution inĮnglish-speaking aesthetics. His followers included Irwin Edman (1939), Stephen Pepper (1939, 1945,ġ953), Horace Kallen (1942), Thomas Munro again (numerous books) and ![]() Evenīefore Art as Experience Dewey's writings on aesthetics andĪrt influenced such writers as Lawrence Buermeyer (1924), Albertīarnes (1928) and Thomas Munro (1928). Works in aesthetic theory that were strongly influenced by Dewey. Many philosophers, educators, and other intellectuals from producing (1948) insisted otherwise, but the sense that there was something too Work and his own that he accused Dewey of lifting his ideas. Seen as Hegelian himself, saw so many similarities between Dewey's The second, byīenedetto Croce, seemed to confirm this (Croce 1948). Reverted to an earlier Hegelianism (Pepper 1939). Pepper, complained that it was not truly pragmatist and that Dewey had The first, by an avowed follower, Stephen Second, the bookĮarly on had the misfortune of receiving two reviews that negatively Philosophical prose is often difficult and dense. Thereįirst, although Dewey seems to write in an almost folksy style, his It is not as widely discussed as that evaluation would indicate. Many as one of the most important contributions to this area in the 20 th century. His work Art as Experience (1934) is regarded by Has also had a great deal of influence in aesthetics and the Sanders Peirce and William James were the leading early figures. Membership in the school of American Pragmatists of which Charles John Dewey is well known for his work in logic, scientific inquiry,Īnd philosophy of education. First published Fri substantive revision Wed Sep 21, 2011
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